Catálogo
| Emisor | Corvey, Abbey of |
|---|---|
| Año | 1272-1306 |
| Tipo | Standard circulation coin |
| Valor | 1 Pfennig |
| Moneda | Pfennig (833-1540) |
| Composición | Silver |
| Peso | |
| Diámetro | |
| Grosor | |
| Forma | Round (irregular) |
| Técnica | Hammered |
| Orientación | |
| Grabador(es) | |
| En circulación hasta | |
| Referencia(s) | Weing Corvey#18 |
| Descripción del anverso | Seated abbot on throne holding out left hand and holding a crozier in the right. Legend surrounding. |
|---|---|
| Escritura del anverso | |
| Leyenda del anverso | |
| Descripción del reverso | Bust of Saint Vitus facing. Legend surrounding. |
| Escritura del reverso | |
| Leyenda del reverso | |
| Canto | |
| Casa de moneda | |
| Tirada |
ND (1272-1306) - - |
| ID de Numisquare | 3856044260 |
| Información adicional |
Historical Context: Henry III of Homburg, Abbot of Corvey from 1272 to 1306, presided over a significant Imperial Abbey within the Holy Roman Empire. During his tenure, Corvey maintained its powerful status, exercising both spiritual and temporal authority. The issuance of this silver Pfennig underscores the Abbey's regalian rights and its role as a regional economic hub. These ubiquitous coins were essential for local commerce and reflect the decentralized monetary systems prevalent in medieval Germany. Henry III's abbacy saw a period of relative stability, allowing for consistent coinage.
Artistry: The design of this Pfennig reflects the prevalent numismatic artistry of the late 13th century, characterized by functional simplicity rather than elaborate detail. While specific engravers are unknown, the style emanates from local monastic workshops. Typical designs for Corvey Pfennigs under Henry III often feature a central cross or an ecclesiastical symbol on one side, sometimes accompanied by the abbot's initial or a stylized bust. The lettering, often crude and abbreviated, identifies the issuer and mint, embodying the nascent Gothic script of the era.
Technical/Grading: Medieval Pfennigs, including this Corvey issue, commonly exhibit characteristics of early hammer striking. High-points susceptible to wear typically include the central cross arms, any facial features, or the highest relief points of the lettering. Technical strike qualities often include irregular flans, off-center strikes, and variable striking pressure, leading to areas of weakness or flatness. Planchet imperfections, such as cracks or laminations, are also common. A well-preserved example would show clear legends and full definition of the central device, despite these inherent production limitations.