Catalog
| Issuer | Tasmania |
|---|---|
| Year | |
| Type | Emergency coin |
| Value | 1 Penny (1⁄240) |
| Currency | Pound sterling (1788-1900) |
| Composition | Copper |
| Weight | |
| Diameter | 34 mm |
| Thickness | |
| Shape | Round |
| Technique | Milled |
| Orientation | Coin alignment ↑↓ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | Andrews#358, R#352, Gray#179a, KM#Tn163 |
| Obverse description | In the center is a woman (Justice) with a bandage over her eyes and a scale in her right hand, looking to the left, in the background the ship is sailing to the left, legend around |
|---|---|
| Obverse script | Latin |
| Obverse lettering | TASMANIA |
| Reverse description | Text only |
| Reverse script | Latin |
| Reverse lettering | R. ANDREW MATHER FAMILY DRAPER & c. Hobart Town |
| Edge | |
| Mint | |
| Mintage |
ND - A358/R352 KM-Tn163 - |
| Numisquare ID | 2825162780 |
| Additional information |
Historical Context: The Robert Andrew Mather 1 Penny token represents a crucial period in Tasmanian colonial currency, specifically the mid-19th century (circa 1850s-1860s). Official British coinage was chronically scarce, prompting merchants like Mather, a prominent draper in Hobart, to issue their own copper tokens. These private issues served as essential small change, facilitating daily commerce and acting as effective advertising for businesses, thus playing a vital role in the nascent colonial economy. This particular token, referenced as Andrews#358, R#352, Gray#179a, and KM#Tn163, is a testament to colonial ingenuity in overcoming currency shortages.
Artistry: While specific engraver details are often lost, the Mather Penny aligns with the utilitarian yet dignified aesthetic common to British mints, such as W.J. Taylor of London, who produced many Australian tokens. The design typically features clear, bold lettering for 'ROBERT ANDREW MATHER FAMILY DRAPER HOBART' on the obverse, emphasizing commercial identity. The reverse commonly displays 'ONE PENNY', often within a decorative wreath or border, reflecting a functional yet classically inspired approach to conveying denomination. The overall style is characteristic of Victorian-era commercial tokens, prioritizing legibility and brand recognition.
Technical/Grading: Struck in copper with a diameter of 34mm, these tokens often exhibit variable strike quality, characteristic of colonial issues intended for heavy circulation. High points prone to wear include the raised lettering on both obverse and reverse, particularly serifs and central elements of names and denomination. Collectors should assess planchet quality for typical copper issues, noting potential for environmental toning, corrosion, or edge damage from extensive use. Sharpness of inner details of any wreath or border on the reverse is a key indicator of strike quality and remaining condition.