Katalog
| İhraççı | Denmark |
|---|---|
| Yıl | 1047-1075 |
| Tür | Standard circulation coin |
| Değer | 1 Penning |
| Para birimi | Penning (-1513) |
| Bileşim | Silver |
| Ağırlık | 1.0 g |
| Çap | |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered |
| Yönlendirme | Variable alignment ↺ |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | Hauberg#7 |
| Ön yüz açıklaması | Christ pantokrator (enthroned), annulets to right and left of halo. |
|---|---|
| Ön yüz yazısı | |
| Ön yüz lejandı | |
| Arka yüz açıklaması | Saint Michael at left, turned right toward forward facing king in Byzantine attire, both with hands on labarum. |
| Arka yüz yazısı | |
| Arka yüz lejandı | |
| Kenar | |
| Darphane | |
| Basma adedi |
ND (1047-1075) - - |
| Numisquare Kimliği | 6718501050 |
| Ek bilgiler |
Historical Context: This 1 Penning coin was issued under Sven Estridsen (Sweyn II Estridsson) of Denmark, reigning from 1047 to 1075. His rule was pivotal, re-establishing a strong, independent Danish kingdom after Cnut the Great's North Sea Empire. Sven consolidated royal authority, implemented ecclesiastical reforms, and centralized administration. His coinage, a primary tool for royal propaganda and economic stability, marks a significant step towards a standardized national currency, reflecting his crucial role in shaping medieval Denmark.
Artistry: The anonymous engraver's work displays a blend of Anglo-Saxon and Ottonian influences, filtered through a distinct Nordic style. The obverse features a bust of Christ, often Pantocrator, symbolizing divine endorsement of the monarch. The reverse depicts Saint Michael, the archangel, typically as a warrior saint with spear and shield, embodying protection and spiritual authority. This iconography, prevalent in contemporary European coinage, reinforced both the Christianization of Denmark and the king's role as a divinely appointed protector.
Technical/Grading: Struck in silver at approximately 1.0 grams, this penning reflects early medieval minting practices. Key high-points for strike and wear include Christ's facial details, halo, and drapery on the obverse, and Saint Michael's face, helmet, and weaponry on the reverse. Due to hand-striking, examples often exhibit irregular flans, variable centering, and uneven strike pressure, leading to softer details. Die rotation and slight double striking are common. A well-struck example with clear legends and strong relief on the primary figures is highly sought after.