See full images — free registration
Continue with Google — it's free or register with email

1 Lira

Issuer Ministero del Tesoro (Ministry of the Treasury)
Year 1893-1898
Type Log in to see details
Value 1 Lira (1 ITL)
Currency Log in to see details
Composition Log in to see details
Size Log in to see details
Shape Log in to see details
Printer Log in to see details
Designer(s) Log in to see details
Engraver(s) Log in to see details
In circulation to Log in to see details
Reference(s) Log in to see details
Obverse description The left portion carries an intaglio-printed red-brown vignette of King Umberto I in profile bust, set within an ornate oval guilloche frame inscribed REGNO D'ITALIA and ISTITUTO DELLA ZECCA. The right field, printed on a fine guilloche underprint, bears the large bold letterpress inscription BUONO DI CASSA / a corso legale / da UNA lira, with the serial number appearing twice at upper and lower positions. Two manuscript signatures appear at the bottom, under the titles IL CASSIERE SPECIALE and IL DELEGATO DELLA CORTE DEI CONTI, with the authorizing law reference LEGGE 22 LUGLIO 1894 N. 339 printed vertically on the dividing strip.
Obverse lettering Log in to see details
Reverse description Log in to see details
Reverse lettering DECRETO MINISTERIALE 15 SETT. 1893
REG.TA ALLA CORTE DEI CONTI IL 18 SETT. 1893
I BUONI DI CASSA POSTI IN CIRCOLAZIONE SONO GARANTITI E COPERTI PER INTERO DA MONETE DIVISIONALI ITALIANE D'ARGENTO, IMMOBILIZZATE NELLE TESORERIE DELLO STATO, E DESTINATE ESPRESSAMENTE A QUESTO SCOPO
Signature(s) Log in to see details
Protection type Log in to see details
Protection description Log in to see details
Variants Log in to see details
Comments

Italy's Treasury Ministry issued small-denomination paper lire directly — bypassing the Banca d'Italia — because coins of equivalent value had effectively disappeared from circulation, hoarded or melted during the monetary turbulence of the 1890s. These notes were a stopgap, and they were treated as such: heavily circulated, rarely saved, and frequently mutilated by the time they left use.

The Carte-Valori printing house in Turin produced the series, but survival rates are poor. Worn, folded, and edge-damaged examples are the norm rather than the exception.