Catalog
Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!
| Issuer | Shire Post Mint |
|---|---|
| Year | |
| Type | Log in to see details |
| Value | Log in to see details |
| Currency | Boxing |
| Composition | Log in to see details |
| Weight | Log in to see details |
| Diameter | Log in to see details |
| Thickness | Log in to see details |
| Shape | Log in to see details |
| Technique | Log in to see details |
| Orientation | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
| Reference(s) | Log in to see details |
| Obverse description | Log in to see details |
|---|---|
| Obverse script | Log in to see details |
| Obverse lettering | Log in to see details |
| Reverse description | Central field bearing the principal symbol of Kredik Shaw in bold relief, serving as the primary design element. Surrounding the central motif is a ring of smaller glyphs in the Steel Alphabet, each representing the numeral "1", creating a repeated decorative and denominational border. The composition is balanced and heraldic in character, with the symbolic device precisely centered. The reverse design mirrors the thematic language of the obverse, reinforcing the fictional Imperial iconography of the Mistborn Era 1 setting. |
| Reverse script | Log in to see details |
| Reverse lettering | Log in to see details |
| Edge | Log in to see details |
| Mint | Shire Post Mint, Springdale, Arkansas, United States |
| Mintage | Log in to see details |
| Additional information |
Shire Post Mint produced this piece as part of their licensed Mistborn coinage series based on Brandon Sanderson's fantasy novels, making it a privately issued exonumia item rather than a coin with any monetary function. The "Golden Boxing" designation comes directly from the currency system Sanderson constructed for the Final Empire, where boxings, clips, and their subdivisions form a coherent fictional economy with deliberate internal logic.
Brass was not an arbitrary choice — it mirrors the industrial, ash-choked aesthetic Sanderson built into the setting's material culture.