Catalogue
| Émetteur | Drivast, City of |
|---|---|
| Année | 1300-1400 |
| Type | Standard circulation coin |
| Valeur | 1 Follaro |
| Devise | |
| Composition | Copper |
| Poids | 1.38 g |
| Diamètre | |
| Épaisseur | |
| Forme | Round (irregular) |
| Technique | Hammered |
| Orientation | Coin alignment ↑↓ |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) | Dobrinic#1.1.2.4 |
| Description de l’avers | Bust of Christ |
|---|---|
| Écriture de l’avers | |
| Légende de l’avers | Ɔ-δ |
| Description du revers | Christ with Nimbus |
| Écriture du revers | |
| Légende du revers | ·DRIVE-ƧTI· |
| Tranche | Rough |
| Atelier | |
| Tirage |
ND (1300-1400) - - |
| ID Numisquare | 1282171380 |
| Informations supplémentaires |
Historical Context: The 1 Follaro autonomous coinage from Drivast, issued between 1300 and 1400, signifies the city's self-governance during a tumultuous Balkan era. Drivast, a strategic fortress, often navigated allegiances between Venetian, Serbian, and local Albanian powers. Minting its own copper currency, a common denomination for daily transactions, underscored its economic independence and political sovereignty. This reflected a vibrant local economy and the assertion of city-state identity amidst broader regional instability.
Artistry: The engraver of this Follaro remains anonymous, typical for small-denomination autonomous issues of the Late Middle Ages. Stylistically, it reflects a pragmatic, functional approach, likely influenced by local interpretations of Byzantine or Venetian numismatic traditions common in the Adriatic region. Designs were simple, perhaps featuring a cross, a city monogram, or a rudimentary saint depiction, prioritizing clear identification over elaborate artistic detail on the small copper flan.
Technical/Grading: This copper follaro, weighing 1.38 grams, is characteristic of small medieval base metal coinage. High-points for preservation assessment include any central motif, the clarity of any surrounding legend, and the definition of the flan edge. Technically, strikes are often irregular, off-center, and exhibit variable die wear. Relief is typically shallow, and flans are rarely perfectly round, reflecting the hand-striking methods and their utilitarian role as small change.