Catalogue
| Émetteur | Dulcigno, City of |
|---|---|
| Année | 1300-1399 |
| Type | Standard circulation coin |
| Valeur | 1 Follaro |
| Devise | |
| Composition | Copper |
| Poids | 1.24 g |
| Diamètre | |
| Épaisseur | |
| Forme | Square with rounded corners |
| Technique | Hammered |
| Orientation | Coin alignment ↑↓ |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) | Dobrinic#1.1.7.2, CNI VI#12 |
| Description de l’avers | Mary holding Jesus |
|---|---|
| Écriture de l’avers | |
| Légende de l’avers | LCIN |
| Description du revers | Coat of arms |
| Écriture du revers | |
| Légende du revers | + |
| Tranche | Rough |
| Atelier | |
| Tirage |
ND (1300-1399) - - |
| ID Numisquare | 2021291160 |
| Informations supplémentaires |
Historical Context: Dulcigno, modern Ulcinj, was a pivotal Adriatic city in the 14th century. During this era, marked by fluctuating control between the Serbian Empire, Venice, and local Albanian lords, Dulcigno often exercised significant autonomy. This 1 Follaro coinage signifies such a period of self-governance, essential for local commerce and asserting civic identity. Its issuance underscores the city's economic vitality and political self-determination within medieval Dalmatia. As copper small change, it facilitated daily transactions.
Artistry: The specific engraver of this autonomous follaro is unknown, typical for medieval provincial mints. The stylistic school reflects a generalized Byzantine influence, adapted for local production rather than high courtly art. Designs commonly featured simplified central motifs such as a cross, a civic monogram, or a patron saint, often rendered with a direct, functional aesthetic. Intricate detail was secondary to clear identification, aligning with the coin's role as ubiquitous circulating currency.
Technical/Grading: Technical strike qualities for 14th-century Dulcigno copper follari generally reflect regional minting standards. Strikes are frequently irregular, often weak, particularly on the highest relief points of the design, like cross terminals or effigy details. Flans are typically irregular in shape and thickness, and off-centering is common. When assessing grade, the legibility of the central motif and any surrounding legends is paramount, as these elements are key for identification despite production imperfections.