| Emittent | Mecklenburg, Principality of |
|---|---|
| Jahr | 1528-1529 |
| Typ | Standard circulation coin |
| Nennwert | 1 Dreiling = 3 Pfennig (1⁄128) |
| Währung | Thaler (1348-1700) |
| Material | Silver |
| Gewicht | |
| Durchmesser | |
| Dicke | |
| Form | Round |
| Prägetechnik | Hammered |
| Ausrichtung | |
| Stempelschneider | |
| Im Umlauf bis | |
| Referenz(en) | MB#74, Kunzel#83 A/c |
| Aversbeschreibung | Facing steer`s head in circle. |
|---|---|
| Aversschrift | Latin |
| Averslegende | G. DVX. G. MEG. B. APO. H. ALB. |
| Reversbeschreibung | Arm of Stargard in circle, mintmaster`s symbol at beginning of legend, date at end. |
| Reversschrift | Latin |
| Reverslegende | MO(NE)(TA). NOVA. GVST(R)(O)(E)(V). |
| Rand | |
| Prägestätte | |
| Auflage |
1528 - (15)z8 - 1529 - (15)z9 - |
| Numisquare-ID | 1521521980 |
| Zusätzliche Informationen |
Historical Context: This 1 Dreiling, issued by Albert VII of Mecklenburg-Güstrow (1528-1529), represents a crucial period in German history. Albert VII, co-ruling, navigated the complex religious landscape of the early 16th century Holy Roman Empire. While his brother Henry V leaned Protestant, Albert VII remained a staunch Catholic, reflecting internal ducal divisions. This era predates the full Reformation in Mecklenburg, with the Dreiling serving as essential small change amidst evolving economic and social structures, underscoring fragmented sovereignty.
Artistry: The Dreiling's design showcases transitional numismatic artistry of early 16th-century German states, blending late Gothic with nascent Renaissance influences. A specific engraver is rarely attributed to these minor denominations. The obverse typically features the ducal arms, prominently displaying the stylized bull's head of Mecklenburg, often within a shield. The reverse bears the denomination, date, and mint mark, frequently arranged within a cross or decorative motif, executed with robust, period-characteristic lettering.
Technical/Grading: As a product of early hammer-striking, the 1 Dreiling of Albert VII often exhibits inherent technical irregularities. Common issues include irregular flan shapes, off-center strikes, and variable striking pressure, leading to areas of weakness. High-points for preservation and strike quality include the bull's head details—horns, crown, facial features—and clarity of surrounding legends. On the reverse, distinctness of numerals and central cross elements are key indicators. Examples with full, even strikes and well-defined legends are considerably rarer.