1/4 Rupia - Victor Emmanuel III

Emitent Italian Somaliland
Rok 1910-1913
Typ Standard circulation coin
Hodnota 1/4 Rupia
Měna Rupia (1893-1925)
Složení Silver (.917)
Hmotnost 2.9160 g
Průměr 19 mm
Tloušťka
Tvar Round
Technika Milled
Orientace
Rytci Luigi Giorgi
V oběhu do
Reference KM#4
Popis líce Vittorio Emanuele III facing right
Písmo líce Latin
Opis líce VITTORIO EMANVELE III RE D`ITALIA
(Translation: Victor Emmanuel III King of Italy)
Popis rubu
Písmo rubu Arabic, Latin
Opis rubu SOMALIA ITALIANA QUARTO DI RUPIA ربع روپیه R ·1910·
(Translation: Italian Somalia One quarter Rupee)
Hrana
Mincovna R
Rome, Italy (476-date)
Náklad 1910 R - - 400 000
1913 R - - 100 000
ID Numisquare 2922513400
Další informace

Historical Context: The 1/4 Rupia of Italian Somaliland, issued 1910-1913, embodies the imperial ambitions of Victor Emmanuel III, King of Italy. This era marked the consolidation of Italian colonial rule in the Horn of Africa. The introduction of distinct colonial coinage, denominated in Rupias, established economic sovereignty and facilitated trade, mirroring the British Indian currency system prevalent in East Africa. This coin is a tangible artifact of early 20th-century European expansionism.

Artistry: The design reflects the prevailing numismatic aesthetic of early 20th-century Italy. While specific engravers for colonial issues are often uncredited, the stylistic hand is reminiscent of artists like Giuseppe Romagnoli or Filippo Speranza. The obverse features a dignified, realistic portrait of Victor Emmanuel III facing right, characteristic of late Neoclassical or early Art Nouveau schools. The reverse displays the "1/4 RUPIA" denomination and date, often framed by a wreath or colonial iconography, clearly identifying "SOMALIA ITALIANA."

Technical/Grading: Struck in .917 fine silver, this 1/4 Rupia weighs 2.9160 grams and measures 19 millimeters. For optimal grading, examine the highest points: the hair and ear of Victor Emmanuel III on the obverse, and central elements of the wreath or lettering on the reverse. Early colonial strikes may exhibit minor planchet imperfections or slight peripheral weakness due to pressing technology. Sharpness in portrait details and clear legend definition are key indicators of a well-preserved specimen.

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