Katalog
| Emitent | Italian Somaliland |
|---|---|
| Rok | 1910-1913 |
| Typ | Standard circulation coin |
| Hodnota | 1/4 Rupia |
| Měna | Rupia (1893-1925) |
| Složení | Silver (.917) |
| Hmotnost | 2.9160 g |
| Průměr | 19 mm |
| Tloušťka | |
| Tvar | Round |
| Technika | Milled |
| Orientace | |
| Rytci | Luigi Giorgi |
| V oběhu do | |
| Reference | KM#4 |
| Popis líce | Vittorio Emanuele III facing right |
|---|---|
| Písmo líce | Latin |
| Opis líce |
VITTORIO EMANVELE III RE D`ITALIA (Translation: Victor Emmanuel III King of Italy) |
| Popis rubu | |
| Písmo rubu | Arabic, Latin |
| Opis rubu |
SOMALIA ITALIANA QUARTO DI RUPIA ربع روپیه R ·1910· (Translation: Italian Somalia One quarter Rupee) |
| Hrana | |
| Mincovna |
R Rome, Italy (476-date) |
| Náklad |
1910 R - - 400 000 1913 R - - 100 000 |
| ID Numisquare | 2922513400 |
| Další informace |
Historical Context: The 1/4 Rupia of Italian Somaliland, issued 1910-1913, embodies the imperial ambitions of Victor Emmanuel III, King of Italy. This era marked the consolidation of Italian colonial rule in the Horn of Africa. The introduction of distinct colonial coinage, denominated in Rupias, established economic sovereignty and facilitated trade, mirroring the British Indian currency system prevalent in East Africa. This coin is a tangible artifact of early 20th-century European expansionism.
Artistry: The design reflects the prevailing numismatic aesthetic of early 20th-century Italy. While specific engravers for colonial issues are often uncredited, the stylistic hand is reminiscent of artists like Giuseppe Romagnoli or Filippo Speranza. The obverse features a dignified, realistic portrait of Victor Emmanuel III facing right, characteristic of late Neoclassical or early Art Nouveau schools. The reverse displays the "1/4 RUPIA" denomination and date, often framed by a wreath or colonial iconography, clearly identifying "SOMALIA ITALIANA."
Technical/Grading: Struck in .917 fine silver, this 1/4 Rupia weighs 2.9160 grams and measures 19 millimeters. For optimal grading, examine the highest points: the hair and ear of Victor Emmanuel III on the obverse, and central elements of the wreath or lettering on the reverse. Early colonial strikes may exhibit minor planchet imperfections or slight peripheral weakness due to pressing technology. Sharpness in portrait details and clear legend definition are key indicators of a well-preserved specimen.