کاتالوگ
| صادرکننده | Algiers, Regency of |
|---|---|
| سال | 1806-1808 |
| نوع | Standard circulation coin |
| ارزش | 1/4 Budju |
| واحد پول | Budju (1517-1848) |
| ترکیب | Silver |
| وزن | 3.2 g |
| قطر | 20 mm |
| ضخامت | |
| شکل | Round (irregular) |
| تکنیک | |
| جهت | |
| حکاک(ها) | |
| در گردش تا | |
| مرجع(ها) | KM#48 |
| توضیحات روی سکه | |
|---|---|
| خط روی سکه | Arabic |
| نوشتههای روی سکه | |
| توضیحات پشت سکه | Mint name and year within octagon |
| خط پشت سکه | Arabic |
| نوشتههای پشت سکه | |
| لبه | |
| ضرابخانه | |
| تیراژ ضرب |
1221 (1806) - ١٢٢١ - 1222 (1807) - ١٢٢٢ - 1223 (1808) - ١٢٢٣ - |
| شناسه Numisquare | 4168956680 |
| اطلاعات تکمیلی |
Historical Context: This 1/4 Budju, issued by the Regency of Algiers between 1806 and 1808, dates to the reign of Ottoman Sultan Selim III (1789-1807). Algiers, a semi-autonomous Barbary State, maintained a complex relationship with the Ottoman Porte while engaging in Mediterranean trade and privateering. The Budju was a vital local currency, reflecting Algiers' economic significance and its unique position within the Ottoman sphere during a period of European geopolitical flux. Its coinage signifies both Ottoman suzerainty and local autonomy.
Artistry: The design of this silver 1/4 Budju exemplifies provincial Ottoman numismatic art, emphasizing epigraphy over imagery. The anonymous engraver focused on clear Arabic calligraphy, typically presenting Sultan Selim III's name and titles, the mint name (Algiers), and the Hegira date. Adhering to Islamic aniconism, the stylistic school employed textual elements within simple borders, reflecting the period's functional and religious principles in its numismatic design.
Technical/Grading: Struck in silver (3.2 grams, 20 mm), this coin frequently displays characteristic manufacturing traits. High-points for wear assessment are typically the raised calligraphic elements, such as the Sultan's name or date, which show flattening first. Technical strike qualities often include irregular flan shapes, evidence of clipping, and occasional off-center strikes. Dies were hand-cut, leading to variations in detail and potential weakness in the strike, particularly towards the edges.