カタログ
| 発行体 | Muscat and Oman |
|---|---|
| 年号 | 1899 |
| 種類 | Standard circulation coin |
| 額面 | 1/4 Anna (1⁄64) |
| 通貨 | Indian rupee (1891-1959) |
| 材質 | Copper |
| 重量 | 6.28 g |
| 直径 | 25.5 mm |
| 厚さ | 1.6 mm |
| 形状 | Round |
| 製造技法 | |
| 向き | |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | KM#15 |
| 表面の説明 | Name and date, legend around. |
|---|---|
| 表面の文字体系 | Arabic, Latin |
| 表面の銘文 | |
| 裏面の説明 | Inscriptions in Arabic inside a plant crown. |
| 裏面の文字体系 | Arabic |
| 裏面の銘文 | |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
1316 (1899) - ۱۳۱۶ - |
| Numisquare ID | 5137429970 |
| 追加情報 |
Historical Context: This 1/4 Anna coin, issued in 1899 (AH 1317), hails from Muscat and Oman during the reign of Sultan Faisal bin Turki (1888-1913). His era was characterized by a delicate balance between maintaining Omani sovereignty and navigating increasing British influence in the Arabian Gulf. The adoption of the Anna denomination, a standard unit in British India, underscores Muscat and Oman's deep economic ties and trade routes with the Indian subcontinent. This coinage represents a significant step in standardizing the Sultanate's currency, reflecting a move towards a more centralized administration and a stable economic environment for regional commerce.
Artistry: The design of this 1/4 Anna, referenced as KM#15, features a "normal central circle" on the obverse, typically enclosing the Sultan's name and title in elegant Arabic script. The reverse displays the denomination "1/4 Anna" and the date, surrounded by a wreath, with a distinctive "star between wreath" motif. While no specific engraver is attributed, the stylistic school is utilitarian, prioritizing clear legibility of the Arabic calligraphy and numerical values. The overall aesthetic blends traditional Islamic epigraphy with a structured, perhaps subtly European-influenced, layout suitable for a mass-produced copper coinage, ensuring immediate recognition in a bustling trade economy.
Technical/Grading: Struck in copper with a substantial weight of 6.28 grams and a diameter of 25.5 mm, this coin's technical qualities are typical for regional issues of the period. High points susceptible to wear include the raised elements of the Arabic script on both sides, the edges of the central circle, and the details of the wreath and the star. Collectors should examine these areas for evidence of friction. Strike quality can vary; while central details are often well-defined, some weakness may be observed towards the rims or on finer elements of the wreath due to uneven metal flow during striking. Planchet quality can also present minor surface imperfections.