Catalog
| Issuer | Bhutan |
|---|---|
| Year | 1885-1910 |
| Type | Standard circulation coin |
| Value | 1/2 Rupee / Deb |
| Currency | Rupee (1789-1957) |
| Composition | Copper (copper or brass) |
| Weight | 2.47 g |
| Diameter | 18 mm |
| Thickness | 1.85 mm |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | KM#14 |
| Obverse description | 4 dots above `ra` of the syllable `ndra` |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | Buddh symbols with two fish in the centre. |
| Reverse script | |
| Reverse lettering | |
| Edge | Plain |
| Mint | |
| Mintage |
ND (1885-1910) - - |
| Numisquare ID | 5823835730 |
| Additional information |
Historical Context: This 1/2 Rupee coin (KM#14) was issued during Bhutan's Deb Period III (1885-1910), a transformative era. This period spans the consolidation of power by Ugyen Wangchuck, the Penlop of Trongsa, who ultimately unified Bhutan and became its first hereditary monarch, the Druk Gyalpo, in 1907. These issues represent the monetary system during the transition from the traditional dual governance of the Deb Raja and Je Khenpo to the establishment of the Wangchuck dynasty, signifying a pivotal moment in Bhutanese state-building and independence.
Artistry: The engravers of these coins were likely local artisans, influenced by traditional Himalayan and Tibetan numismatic styles. Specific engraver identities are unrecorded, but their work reflects the indigenous aesthetic of Bhutan. The design typically features auspicious Buddhist symbols, such as a stylized Dharmachakra (wheel of dharma) on one side, symbolizing the Buddha's teachings, and a sacred lotus or vase (bumpa) accompanied by Dzongkha script, often indicating denomination or a blessing, on the reverse. The hand-struck nature imparts a unique, rustic charm to each piece.
Technical/Grading: Struck in copper or brass, this 18mm, 2.47g coin often exhibits characteristic irregularities of hand-striking, including weak or off-center strikes and planchet imperfections. Key high-points for wear assessment include the central hub and spokes of the Dharmachakra, the tips of lotus petals, and the raised elements of the Dzongkha script. Due to its copper composition, specimens are prone to environmental toning, ranging from browns to greens, and can show signs of corrosion or verdigris, which are important factors in grading.