Catalogo
| Emittente | Bhutan |
|---|---|
| Anno | 1790-1840 |
| Tipo | Standard circulation coin |
| Valore | 1/2 Rupee / Deb |
| Valuta | Rupee (1789-1957) |
| Composizione | Silver |
| Peso | 4.4 g |
| Diametro | 20.9 mm |
| Spessore | 2.7 mm |
| Forma | Round (irregular) |
| Tecnica | Hammered |
| Orientamento | |
| Incisore/i | |
| In circolazione fino al | |
| Riferimento/i | KM#3 |
| Descrizione del dritto | |
|---|---|
| Scrittura del dritto | |
| Legenda del dritto | |
| Descrizione del rovescio | |
| Scrittura del rovescio | |
| Legenda del rovescio | |
| Bordo | Plain |
| Zecca | |
| Tiratura |
ND (1790-1840) - - |
| ID Numisquare | 5174929320 |
| Informazioni aggiuntive |
Historical Context: The 1/2 Rupee, KM#3, issued by Bhutan during the Deb Period I (1790-1840), signifies a pivotal era. This period saw the secular Deb Raja (Druk Desi) govern under the Zhabdrung Rinpoche's spiritual authority. The broad date range reflects consistent coinage amidst evolving internal politics and growing external interactions. These coins were crucial for internal commerce and cross-border trade, asserting Bhutanese sovereignty and economic independence.
Artistry: Specific engravers for early Bhutanese coinage like KM#3 are unknown, characteristic of artisanal production. The stylistic school is distinctly Himalayan, influenced by Tibetan and Nepalese traditions, yet uniquely Bhutanese. The obverse typically features a stylized lotus or floral motif, often within a beaded border. The reverse commonly displays an auspicious Buddhist symbol, such as a conch shell or Dharmachakra, sometimes with simple Tibetan inscriptions. The design, though simple, is rich in symbolism, reflecting Bhutan's profound Buddhist heritage.
Technical/Grading: Key high-points for the KM#3 1/2 Rupee include the central design elements, such as lotus petals, conch curves, or wheel spokes. Outer beaded borders are also prone to wear. Technically, these hand-struck coins frequently exhibit irregular flan shapes, off-center strikes, and variable strike pressure, resulting in weak details, especially at the periphery. A well-centered example with strong definition on primary motifs is rare, as full design details are seldom encountered due to the crude minting process typical of the era.