Catalog
Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!
| Issuer | Sweden |
|---|---|
| Year | 1539-1540 |
| Type | Standard circulation coin |
| Value | Log in to see details |
| Currency | Log in to see details |
| Composition | Log in to see details |
| Weight | Log in to see details |
| Diameter | Log in to see details |
| Thickness | Log in to see details |
| Shape | Log in to see details |
| Technique | Log in to see details |
| Orientation | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
| Reference(s) | Log in to see details |
| Obverse description | Armored and crowned half-length effigy of King Gustav Vasa facing three-quarters, holding a raised scepter in the right hand and a globus cruciger in the left, both traditional symbols of royal sovereignty over Sweden. The royal bust is contained within an inner circle, with the Latin legend disposed in the outer annular field. The portrait style is characteristic of the Type III series produced at the Västerås mint. |
|---|---|
| Obverse script | Log in to see details |
| Obverse lettering | Log in to see details |
| Reverse description | Log in to see details |
| Reverse script | Latin |
| Reverse lettering | Log in to see details |
| Edge | Log in to see details |
| Mint | Log in to see details |
| Mintage | Log in to see details |
| Additional information |
Gustav Vasa's monetary reforms of the 1530s were driven by chronic silver shortages and the financial strain of maintaining a newly independent Swedish crown free from Danish dominance. The Västerås mint was one of several provincial operations he pressed into service during this period, though its output was inconsistent and its dies cut to varying standards — which accounts for the die variety spread cataloged under SM# 150 through 151b.
Type III designations within this series typically reflect late-production die revisions rather than intentional redesign.