See full images - free registration
Continue with Google - no registration! or register with email

Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!

1/2 Enrique - Enrique IV Segovia, king in circular border

Issuer Castile and Leon, Kingdom of
Year 1455-1465
Type Log in to see details
Value Log in to see details
Currency Log in to see details
Composition Log in to see details
Weight Log in to see details
Diameter Log in to see details
Thickness Log in to see details
Shape Log in to see details
Technique Log in to see details
Orientation Log in to see details
Engraver(s) Log in to see details
In circulation to Log in to see details
Reference(s) Imperatrix#E4:4.25
Obverse description Log in to see details
Obverse script Log in to see details
Obverse lettering ENRICVS * QUARTVS * RE
Reverse description Quartered royal arms of Castile and Leon displayed within a beaded inner circle, with castles (Castile) and rampant lions (Leon) arranged in alternating quarters in the Gothic heraldic tradition. The shield is rendered in high relief typical of mid-fifteenth-century Castilian hammered gold coinage. The surrounding circular legend in Gothic Latin characters reads + ENRICVS * DEI * GRACIA, separated by star stops, proclaiming the king's divine right to rule. The overall die work is bold though slightly irregular, consistent with hand-struck production at the Segovia mint.
Reverse script Log in to see details
Reverse lettering Log in to see details
Edge Log in to see details
Mint Log in to see details
Mintage Log in to see details
Additional information

Enrique IV's gold coinage became the flashpoint of one of the most acrimonious monetary controversies in medieval Castilian history. Within years of his accession, his mints — Segovia among them — were accused of systematic debasement, with contemporary chroniclers and noble factions citing the coinage as evidence of fiscal mismanagement. The accusations fed directly into the political crisis that culminated in the Farce of Ávila in 1465, when a coalition of rebellious nobles staged a ritual deposition of an effigy of the king.

That event effectively ends the issue period for this type.

YOU MAY ALSO LIKE