Catalog
| Issuer | Chersonesos (Taurica) |
|---|---|
| Year | 400 BC - 370 BC |
| Type | Standard circulation coin |
| Value | |
| Currency | Drachm |
| Composition | Bronze |
| Weight | 3.45 g |
| Diameter | 14 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | Variable alignment ↺ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | Anokhin#626 Khersonesa#4 Sea#708 , SNG Moskau#3024 , SNG Stancomb#454 , HGC 3.2#2087 |
| Obverse description | Head of Artemis Parthenos to left, her hair in sphendone. |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | Fish right above club. |
| Reverse script | Greek |
| Reverse lettering |
ΧΕΡ (Translation: Chersonessos) |
| Edge | |
| Mint | |
| Mintage |
ND (400 BC - 370 BC) - - |
| Numisquare ID | 3646789980 |
| Additional information |
Historical Context: This Æ coin from Chersonesos (Taurica), 400-370 BC, signifies a period of civic growth for the Greek polis. A vital colony of Heraclea Pontica, Chersonesos controlled strategic Black Sea trade routes and rich agricultural lands. Issuing bronze coinage, alongside precious metals, underscores a robust local economy and the need for smaller denominations in daily commerce, reflecting the city's increasing autonomy and flourishing development during the Late Classical era.
Artistry: No specific engraver is identifiable, but this coin adheres to the Late Classical Greek stylistic school prevalent in Black Sea colonies. The obverse typically features a dignified head of the city's patron goddess, Parthenos, rendered with classical poise. The reverse commonly depicts a powerful charging bull or a stag, symbols linked to local cults or agricultural prosperity. The design, simplified for a smaller bronze flan, retains distinct artistic vigor characteristic of the period.
Technical/Grading: Struck on a 14mm bronze flan, this coin frequently displays typical technical variations. Key high-points for assessing strike and wear include the hair and facial features of the obverse deity, and the musculature or horns of the reverse animal. Centering can vary, and minor off-strikes or areas of weakness are common. Metal quality is generally stable, but surface patination and minor casting flaws are often present, influencing overall preservation and aesthetic appeal.