目录
为什么需要注册?只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证!
| 正面描述 | A quadriga advances slowly to the right, driven by a bearded charioteer rendered in profile; the four horses are depicted in a measured, processional gait characteristic of Sicilian coinage of the period. Above the chariot group, a victor's wreath occupies the upper field, symbolising athletic triumph. A chariot wheel is prominently visible at lower left beneath the horses' hooves. The composition reflects the high-relief, naturalistic style associated with the Sicilian die-cutting tradition of the late fifth century BC. |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | ϹΕΛΑΣ |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Gela, founded by Rhodian and Cretan colonists in the early seventh century, was among the most powerful cities in Sicily before Akragas and Syracuse eclipsed it. The tetradrachms of this precise period — roughly contemporary with Gelon's descendants losing their grip on regional dominance — were produced by engravers working in a tradition heavily influenced by Syracusan die-cutting, yet the Gelan series maintained a distinct local iconographic program that Jenkins catalogued with unusual care given the relatively small surviving corpus.
Jenkins 398–399 places these dies within a tight stylistic cluster. The city would be largely destroyed by Carthaginian forces in 405 BC.