See full images - free registration
Continue with Google - no registration! or register with email

Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!

Tetradrachm

Issuer Syracuse
Year 430 BC - 420 BC
Type Log in to see details
Value Log in to see details
Currency Log in to see details
Composition Log in to see details
Weight Log in to see details
Diameter Log in to see details
Thickness Log in to see details
Shape Log in to see details
Technique Log in to see details
Orientation Variable alignment ↺
Engraver(s) Log in to see details
In circulation to Log in to see details
Reference(s) Log in to see details
Obverse description Log in to see details
Obverse script Log in to see details
Obverse lettering Log in to see details
Reverse description A finely modelled female head facing right, identified as the nymph Arethusa, her hair secured by four bands in the early Syracusan convention. She wears a necklace at her throat, and the portrait reflects the transitional style moving toward the later master-engraver period. Four dolphins swim around the central image in the field, their arrangement framing the head symmetrically. The ethnic legend ΣYPA-KO-Σ-ION is distributed among the dolphins in the field, identifying the issuing city of Syracuse.
Reverse script Log in to see details
Reverse lettering Log in to see details
Edge Log in to see details
Mint Log in to see details
Mintage ND (430 BC - 420 BC)
Additional information

Syracuse's tetradrachms of this period were struck at the height of the city's rivalry with Carthage and Athens simultaneously — a geopolitical pressure that made maintaining a reliable, high-quality silver coinage a political act as much as an economic one. The coin falls within the generation immediately preceding the catastrophic Athenian expedition of 415–413 BC, which Syracuse famously repelled, capturing or destroying the largest naval force Athens had ever assembled.

The Boehringer 666 reference places this firmly within a die study that has allowed scholars to sequence Syracuse's fifth-century output with unusual precision.

YOU MAY ALSO LIKE