カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Incuse square divided into four quadrants, containing within a dotted border a triskeles or similar rotational design composed of three curved, interlocked elements radiating from a central pellet, rendered in shallow relief within the sunken field. The quadrants of the incuse are delineated by raised lines forming a cross pattern. Small additional symbols, possibly a circle and subsidiary marks, appear in the upper field. The technique is characteristic of archaic Lycian dynastic coinage of the fifth century BC, with the incuse punch impression dominating the reverse fabric. |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | Plain |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
Kuprilli is among the earliest named Lycian dynasts whose coinage can be attributed with confidence, ruling during a period when Lycia operated as a tribute-paying satrapy under Achaemenid Persian authority while retaining considerable local autonomy. His silver staters follow the Lycian weight standard rather than the Persian siglos standard — a quiet but deliberate assertion of regional monetary independence from the empire collecting his taxes.
The BMC Greek 68 reference places this firmly in the British Museum's core Lycian dynastic sequence established through 19th-century excavation and acquisition, much of it sourced from the Xanthos region.