Catalogus
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| Uitgever | Hungary |
|---|---|
| Jaar | 1308-1310 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Hammered |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | A nimbed angel depicted kneeling and facing left, rendered in a flowing draped style with outstretched wings visible to the right. The angel raises a Latin cross in one hand, while a glory (halo) frames the head. The design is characteristic of the early Angevin devotional iconography introduced by Charles Robert of Hungary, executed in a crude but expressive hammered relief on an irregularly shaped flan. |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Plain |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
Charles Robert of Anjou seized the Hungarian throne after a prolonged succession crisis that had fractured the kingdom since the death of Andrew III in 1301 — the last of the Árpád dynasty. His claim was contested by Wenceslaus of Bohemia and Otto of Bavaria in turn, and these earliest deniers were struck during the period when Charles was king in name but not yet fully in fact. Papal backing from Boniface VIII and then Clement V gave him canonical legitimacy before military and political consolidation gave him the rest.