Catalogus
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| Uitgever | Syracuse |
|---|---|
| Jaar | 405 BC - 367 BC |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Litra |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Plain |
| Muntplaats | Log in om details te zien |
| Oplage | ND (405 BC - 367 BC) |
| Aanvullende informatie |
The great Syracusan dekadrachms of this period were not routine civic coinage — they were almost certainly struck to pay mercenaries. Dionysios I fought a grinding series of wars against Carthage beginning in 409 BC, and the logistical demands of maintaining a professional mercenary force required exactly this kind of high-denomination, high-weight silver payment. The coins functioned more as bullion instruments than pocket change.
The engravers responsible for the finest examples — Kimon and Euainetos chief among them — signed their work on the dies, an almost unprecedented practice in the ancient world and one that speaks to how differently Syracuse valued its mint artists.