Catalogus
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| Uitgever | Belgium |
|---|---|
| Jaar | 1923-1934 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Armand Bonnetain |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | A kneeling female figure is depicted in the central field, rendered in low relief in a classicising style. The Dutch-language legend arcs above along the upper rim, while the engraver's initials 'A.B.' appear to the left of the figure in the field. The overall composition is restrained and emblematic, typical of early twentieth-century Belgian coinage designed by Armand Bonnetain. |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | * BELGIË * A.B (Translation: Belgium) |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
Belgium's post-WWI coinage required parallel French and Dutch (Flemish) versions of nearly every denomination — a direct consequence of longstanding linguistic tensions that had already forced the state to enact formal language parity laws by 1898. The Dutch-text 50 centimes and its French counterpart circulated simultaneously, an awkward bureaucratic solution that pleased neither community entirely.
The nickel composition replaced the pre-war silver issues as Belgium, like most of Europe, struggled to reconstitute its monetary system after German occupation had stripped the country of hard-metal reserves.