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50 Centimes - Chambre de Commerce de Bordeaux 33

Uitgever Chambre de Commerce de Bordeaux
Jaar 1917
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Afmetingen Log in om details te zien
Vorm Rectangular
Drukker Log in om details te zien
Ontwerper(s) Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Log in om details te zien
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde Brown on pink underprint. The entire field is covered by a repeated letterpress guilloche underprint reading CHAMBRE DE COMMERCE DE BORDEAUX. A large central cartouche with ornate scalloped border carries the numeral 50 in bold red letterpress above CENTIMES. Below the cartouche, five lines of text state the redemption terms of the emission. The border is formed by a continuous brown geometric and foliate ornamental frame with acanthus corner pieces.
Opschrift keerzijde 50 CENTIMES EMISSION EN 1917 DE BONS REMBOURSABLES À TOUTE ÉPOQUE EN BILLETS DE LA BANQUE DE FRANCE À LA SUCCURSALE DE BORDEAUX
Handtekening(en) Log in om details te zien
Beveiligingstype Log in om details te zien
Beschrijving beveiliging Log in om details te zien
Varianten Log in om details te zien
Opmerkingen

French Chambers of Commerce were authorized to issue emergency small-denomination notes from 1914 onward precisely because the war had driven metallic coinage out of circulation almost entirely — hoarding and industrial demand for copper and nickel left the public with almost no fractional currency. Bordeaux's Chamber was among the earliest and most prolific of these issuers, producing notes through multiple series across the war years.

B. Arnaud, based in Villeurbanne on the outskirts of Lyon, handled a significant share of this provincial emergency paper. The JP#30 reference covers at least three distinct varieties for this denomination, differentiated typically by minor typographic or watermark variations rather than substantive redesign.

MISSCHIEN OOK INTERESSANT