Catalogus
Volledige afbeeldingen bekijken — gratis registratie
Doorgaan met Google — het is gratis
of registreer met e-mail
Waarom registreren? Alleen om bots buiten ons catalogus te houden. Uw e-mail blijft privé — we delen het nooit en sturen u niets zonder uw toestemming. Dat garanderen wij u!
5 Euro Antonio Canova
| Uitgever | Istituto Poligrafico e Zecca dello Stato |
|---|---|
| Jaar | 2022 |
| Type | Log in om details te zien |
| Waarde | 5 Euros |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | REPUBBLICA ITALIANA U. PERNAZZA |
| Beschrijving keerzijde | The reverse presents a central detail of the marble statue Venere Italica by Antonio Canova, housed in the Palatine Gallery in Florence, rendered with classical precision. To the right of the figure, the denomination 5 EURO is inscribed alongside the mint mark R identifying the Rome Mint. To the left, the dates 1822 - 2022 are arranged vertically, commemorating the bicentennial of Canova's death. The peripheral legend ANTONIO CANOVA encircles the design. |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
Issued as part of Italy's ongoing "Eccellenze Italiane" collector series, this coin commemorates the Venetian sculptor Antonio Canova (1757–1822) in the bicentenary year of his death. Canova essentially defined Neoclassical sculpture across Europe, and his workshop in Rome attracted patronage from Napoleon, the papacy, and virtually every ruling house on the continent simultaneously — a commercial and artistic monopoly with few parallels in art history.
The Zecca Roma struck this as a limited collector issue, not intended for circulation.