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30 Lire Banca Agricola Sarda
| Emittent | Banca Agricola Sarda |
|---|---|
| Jahr | 1879 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Bradbury Wilkinson and Company, United Kingdom (1856-1990) |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Black and pink intaglio print on paper with a light green guilloche underprint bearing the numeral 30. The Sardinian flag appears as a vignette at top centre, flanked by a female allegorical figure at left and a bearded male portrait at right. Three manuscript signatures appear at the foot of the note, issued at Oristano, Sardinia, dated 1 January 1879. |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | Anmelden um Details zu sehen |
| Rückseitenlegende | Legge 21 Giugno 1869 Art. 12. Le disposizioni delle leggi penali intorno ai reati di alterazione frode, falsità e falsificazione dei titoli del Debito Pubblico Italiano; sono estese anche ai buoni agrari emessi dagli Istituti di Credito Agrario |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
Banca Agricola Sarda was one of several regional Italian banks still issuing their own notes in the years immediately following unification — a practice the newly consolidated Italian state was actively working to eliminate. The 30 lire denomination is an odd choice by any standard; it appears nowhere in the principal Banca d'Italia series and suggests the issuer was calibrating to local agricultural credit transactions rather than general commerce.
Bradbury Wilkinson's involvement points to a bank with aspirations beyond what local printers could guarantee in security printing. The London connection was common among smaller Italian regional issuers who distrusted domestic competitors and wanted engraved work that forgers would find genuinely difficult to replicate.