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| Emittent | National Bank of the Republic of Belarus |
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| Jahr | 2016 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Third Rouble (2016-date) |
| Material | Anmelden um Details zu sehen |
| Gewicht | Anmelden um Details zu sehen |
| Durchmesser | Anmelden um Details zu sehen |
| Dicke | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Prägetechnik | Anmelden um Details zu sehen |
| Ausrichtung | Anmelden um Details zu sehen |
| Stempelschneider | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Aversbeschreibung | The State Emblem of the Republic of Belarus is displayed in high relief at the top of the obverse, beneath which the legend РЭСПУБЛІКА БЕЛАРУСЬ curves along the upper field. The central device features an engraved reproduction of the title page of the Book of the Holy Prophet Daniel, as published by Francysk Skaryna, framed by decorative floral ornaments. The year of issue is inscribed within the ornamental border to the left, while the alloy standard appears to the right. The face value 20 РУБЛЁЎ is rendered at the bottom center of the field. |
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| Aversschrift | Anmelden um Details zu sehen |
| Averslegende | Anmelden um Details zu sehen |
| Reversbeschreibung | Anmelden um Details zu sehen |
| Reversschrift | Latin/Cyrillic |
| Reverslegende | Anmelden um Details zu sehen |
| Rand | Anmelden um Details zu sehen |
| Prägestätte | Anmelden um Details zu sehen |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
Francisk Skorina, the Belarusian polymath who produced the first printed books in the Eastern Slavic world in the early sixteenth century, spent formative years in Venice — then the undisputed capital of European printing. He received his doctorate in medicine from the University of Padua in 1512, an institution close enough to Venice that the city shaped his intellectual and commercial understanding of the book trade before he returned east to establish his press in Prague and later Vilnius.
This piece is part of a multi-coin series tracing Skorina's European journey. The oxidized finish is intentional, lending the surface a deliberately aged character suited to the subject.