目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | Intaglio portrait of Mustafa Kemal Atatürk in three-quarter right-facing view, set within an ornate dark vignette frame at right. The centre field carries multicolor guilloche underprint in green, red, and blue tones, with the large numeral '100' at centre and the denomination inscription below. A blank oval watermark panel occupies the left side, flanked by intricate border guilloche work at all margins. |
|---|---|
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 签名 | 登录 以查看详情 |
| 防伪类型 | 登录 以查看详情 |
| 防伪描述 | Portrait watermark of Mustafa Kemal Atatürk, visible in the blank oval panel on the left side of the obverse |
| 变体 | 登录 以查看详情 |
| 备注 |
The Banknot Matbaası in Ankara had been operational for roughly fourteen years by the time this note was issued, still building its technical reputation after decades of reliance on foreign printers — De La Rue and others — for Turkey's currency production. The engraver credit to Jan Piwzcyk points to the skilled émigré labor the institution recruited heavily during its early decades, Polish craftsmen among them, to transfer intaglio expertise to domestic staff.
Series VI 100 Lira notes were issued against a backdrop of chronic inflation that would eventually render the denomination nearly worthless by the 1980s, making circulated survivors from this period far more common than uncirculated stock.