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10 Francs Famous Paintings - 'The Kiss'
| Emittent | Democratic Republic of the Congo (1997-date) |
|---|---|
| Jahr | 2007 |
| Typ | Non-circulating coin |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Gewicht | Anmelden um Details zu sehen |
| Durchmesser | Anmelden um Details zu sehen |
| Dicke | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Prägetechnik | Anmelden um Details zu sehen |
| Ausrichtung | Anmelden um Details zu sehen |
| Stempelschneider | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Aversbeschreibung | The national coat of arms of the Democratic Republic of the Congo is depicted centrally within an arch-shaped cartouche, featuring a leopard's head facing forward, flanked by a crossed elephant tusk and spear, with a ribbon below bearing the motto PAIX and flanking ribbons inscribed JUSTICE to the left and TRAVAIL to the right. The legend DEMOCRATIC REPUBLIC OF CONGO arcs across the upper field in three lines. The date 2007 appears at the lower left and the denomination 10 FRANC at the lower right, all set against a deeply mirrored black field. |
|---|---|
| Aversschrift | Anmelden um Details zu sehen |
| Averslegende | Anmelden um Details zu sehen |
| Reversbeschreibung | Anmelden um Details zu sehen |
| Reversschrift | Anmelden um Details zu sehen |
| Reverslegende | Anmelden um Details zu sehen |
| Rand | Reeded |
| Prägestätte | Anmelden um Details zu sehen |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
The Democratic Republic of the Congo has issued silver-plated copper pieces under its "Famous Paintings" program since the mid-2000s, targeting the collector market rather than any domestic monetary use. Klimt's 1907–08 painting — completed the same year this coin was struck — was itself produced during the height of Vienna's Secession movement, at a moment when the Austro-Hungarian censors were still debating whether his work constituted obscenity.
The centenary timing is the only notable coincidence here. These pieces were never intended for circulation and move almost exclusively through European and Asian secondary dealer networks.