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1 Dalderi - Christina 4th portrait
| Emittent | Riga, City of |
|---|---|
| Jahr | 1646-1648 |
| Typ | Standard circulation coin |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Gewicht | Anmelden um Details zu sehen |
| Durchmesser | Anmelden um Details zu sehen |
| Dicke | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Prägetechnik | Anmelden um Details zu sehen |
| Ausrichtung | Anmelden um Details zu sehen |
| Stempelschneider | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
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| Aversbeschreibung | Draped bust of Queen Christina of Sweden facing right, her hair dressed and adorned with a small crown, wearing an elaborately decorated mantle with lace collar, the effigy enclosed within a rope-edged inner circle. The surrounding legend reads in Latin, separated by punctuation marks, identifying the queen by her full royal titles. The portrait is rendered in the Baroque style characteristic of mid-17th century Swedish coinage, with fine detail in the drapery and facial features. |
|---|---|
| Aversschrift | Anmelden um Details zu sehen |
| Averslegende | CHRISTINA : D : G : SUE : GOT : VAN : Q : REGINA : & : PRINC : HÆ : M : D : F : (Translation: Christina Dei Gratia Sveciae Gothorum Vandalorumque Designata Regina Princeps Hereditarius Magna Ducissa Finlandiae Christina, with God`s grace, designated Queen and hereditary princess of Sweden, the Goths, and the Wends, and great Duchess of Finland) |
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| Reverslegende | Anmelden um Details zu sehen |
| Rand | Anmelden um Details zu sehen |
| Prägestätte | Anmelden um Details zu sehen |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
Riga's dalderi coinage of the 1640s was struck while the city operated under Swedish suzerainty following Gustavus Adolphus's capture of the city in 1621, yet the municipality retained meaningful autonomy over its local silver issues. Christina, still a minor when she acceded in 1632, came of age and assumed personal rule in 1644 — the portrait change on this issue reflects that political transition. The city's mint was answering to a queen now governing in her own right, not a regency council.
Production across 1646–1648 was modest, and the series was effectively ended by Christina's abdication in 1654.